Pulp fragments (#PF09 & #PF10) attached to surface.
#PF11 attached to surface, concealed by Coral Harding’s ‘To Dwell Beneath’ (2024).
#PF07 removed from the surface.
#PF05 semi-removed from surface, where #PF06 was removed prior
Installation of PF_ARC.01 in Via del Barbacane
Installation view ‘Adherence to a Column’, 2024. Cast paper pulp, adhered.
‘Adherence to a Column’, 2024. Detail.
1. Holly Jones, ‘Metamorphosis’
2. Wies Roeterdink, ‘Adherence to a Column’
3. Ruochen Dai, ‘Prayer’
4. Arianna Ruggiero, ‘Twice Shy’
5. Julia Kaminska, ‘Mt. 7 : 7-8’
6. Yasmin Ghandour, ‘Agony in the Garden’
7. Gracie Schylling, ‘Quietude’
8. Arielle Clay, ‘Fallen Sighs’ and ‘Lost Fragments’
9. Julia Hashem, ‘Uncommisioned Window’
10. Henry Dawnay, ‘Turin Shroud (shrouded in mystery)’
11. Sookyung Kim, ‘Many people’s faith is embedded in the way they live their lives’
12. Abbie Coombs, ‘Unexpected Visitor’
13.. Oria Xu, ‘Untitled’
14. Poppy O’Brien, ‘Encounter’
15. Cheo Gonzalez, ‘Saints Serguis and Bacchus’
To find out more about the Host Exhibition, click here.
‘Untitled’, 2023. Cyanotype on folded cartridge paper, dimensions variable
‘Untitled’, 2023. Exhibition view in ‘Departure Lounge’